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For years, Walter Keane was known as one of the most commercially successful artists of the 1960s. His paintings of waif-thin girls with eyes four times their normal size were dubbed “the most popular art now being produced in the free world” in a 1965 LIFE story. But Walter Keane, it turns out, couldn’t even paint. It was his wife, Margaret, who was really creating all the “Big Eye” paintings and kept Walter’s secret after he threatened to have her killed.
TIME looked at articles from the 1960s and 1970s—including a profile in LIFE Magazine and critiques of the big eye paintings in the New York Times—and modern-day interviews with Margaret Keane to find out how closely the new Tim Burton film Big Eyes follows Keane’s rise in the art world and eventual exposure as a fraud.
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