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Fame- Ono first met Lennon of the Beatles on November 9, 1966, when he visited a preview of her exhibition at the Indica Gallery in London, England. Lennon was taken with the positive, interactive nature of her work. He specifically cited a ladder leading up to a black canvas with a spyglass on a chain, which revealed the word "yes" written on the ceiling. The two began an affair approximately 18 months later. Lennon divorced his first wife, Cynthia (with whom he had a son, Julian, born in 1963), and married Ono on March 20, 1969.
money- Ono made music history in 2011, becoming the oldest artist to have a number-one hit on the dance charts. She was 78 years old when "Move on Fast" made it to the top spot. Ono has also enjoyed renewed interest in her artwork with a special exhibition at New York's Museum of Modern Art in 2015. This show featured more than 100 works by Ono from 1960 to 1971.
In February 2016, Ono made headlines after she was admitted to a New York hospital. She sought treatment after experiencing flu-like symptoms. Her illness delayed her from traveling to France for a career retrospective showing of her art at the Museum of Contemporary Art in Lyon. That same year, Ono participated in a group exhibition at the Istabul Modern with the installation work entitled "Ex It," which features trees growing out of coffins. She also promoted the unveiling of a peace collection called Skylanding in Chicago.
joy- Settling in Manhattan's Greenwich Village, Ono developed an interest in art and began writing poetry. Considered too radical by many, her work was not well received, but she gained recognition after working with American jazz musician/film producer Anthony Cox, who later became her second husband. Cox financed and helped coordinate her "interactive conceptual events" in the early 1960s. The couple had one child together, daughter Kyoko, in 1963. Ono's art often demanded the viewers' participation and forced them to get involved. One of her most famous works was the "cut piece" staged in 1964 when members of the audience were invited to cut off pieces of her clothing until she was naked, an abstract commentary on discarding materialism.
